It is natural to high aspirations for a career. Artists, in particular, seek affirmation and, to no small degree, admiration for the work they create.
It is natural to have high aspirations for a career. Artists, in particular, seek affirmation and, to no small degree, admiration for the work they create. While there is that undeniable secret satisfying moment when one steps back from a finished piece and simultaneously is filled with joy from the accomplishment, there also is the longing to have the finished work be applauded, purchased and cherished.
Most of us don’t share that solitary moment, we treasure it. It is ours. If I write a post here that resonates well with me, I may read it again, not for proofing, but to savor the moment or the turn of a phrase. I may find my mind wandering to a passage days later. When I was steadily making fine furniture, (I still miss my basement woodworking shop in St. Louis, but not the weather.), I would have the same experience as described above. And, I have always known that the secret moment is an unspoken universal part of being creative.
I started thinking about poor choices the other day when I came across a 40-year old cassette I recorded from a long lost vinyl LP. It had on it the second album of incomparable Terry Reid. I hadn’t heard it in decades and had forgotten what a great voice he had and how well he plays guitar.
In his heyday, Reid opened for the The Rolling Stones in 1969 and Cream in 1968. Around the same time he turned down offers to front Led Zeppelin and later Deep Purple. Looking back, it would be hard to imagine he had no regrets over those decisions. For all the listening pleasure he has provided me, I wish for him peace of mind with his career choices.
While most artists, visual or musical, will never be faced with making choices with such incredible potential, the possibility is always there that we will make less than the best decision. We ultimately may need to accept we took a turn that led us away from the limelight and into obscurity. Regardless of the scale or magnitude, learning to live in peace with our decisions and find happiness despite them is one of the best things we do for ourselves, and our families, too.
The reality for most artists is the big international stage is not where their lives and work will play out. Reality dictates it’s going to happen on a smaller scale. There certainly is nothing wrong with enjoying success on a smaller scale. Perhaps other than big money, a successful rather obscure art career can be just as satisfying as one where we are the big fish in a big pond.
My personal experience is to have known hundreds of artists who enjoy success out of the limelight. They support their families, have comfortable interesting happy lives and manage to do so without being known outside of the relatively small number of collectors, gallerists and dealers who help them market their work. To my mind, it is hard to find fault with such an outcome for a career.
When you consider there often is a steep price to pay for fame these days. Lack of privacy in our celebrity crazed era is a perfect example. Most of us have no clue to the maddening effect of having our lives publicly scrutinized in excruciating detail. To create, be appreciated and paid well for our work is blessing enough for most, as it should be.
And, if you are one who yearns for the spotlight, that moment in the sun, but feel like life has passed you by, you should arrest that feeling right now. Consider that Frank Lloyd Wright turned out nearly a third of his entire body of work in the last 12 years of his life. Imagine the fire burning brightly and the creativity still flowing at that rate from age 80 to 92. Yes, he was a genius and a creative tour de force, but he is also an inspiration. If you have the get up and go, it’s never too late to make things happen.