Anyone, yes anyone, can learn how to sell art successfully.
For those who find asking for the sale less than natural, there is help. To get started, ask general closed-end questions as you begin the process. Preferably, use questions that require a yes for an answer. Then continue on to working on information gathering, and finally and always asking for the sale.
Art marketing is an activity designed to get you or your message in front of a prospect. Selling art is helping an art buyer make the purchase decision.
Learning how to sell art with a few advanced skills will improve your career and confidence. A No Fear tactic I like is what I call the “No-close close.” Although it may seem contradictory, the reality is it is easier to sell anything when you have no apparent urgency to close the deal.
You may doom the sale if your prospective buyer senses desperation. On the other hand, if you exude confidence with a hint of exclusiveness, aloofness or just being nonchalant, without being blase or arrogant, you encourage sales.
If you are exceptionally talented at selling art, you may take the sale away in a way that challenges the buyer to buy. You know, “Perhaps this piece should not be in your collection.” The late Robert Genn had an excellent piece on his Painters Keys site titled, How Galleries Succeed. In it, he mentions one of his gallerists who successfully sells by bluntly telling collectors they would be stupid if they did not buy a particular piece.
You can use this idea without being snobby or elitist, the point is don’t be too eager. Using the “No Close Close” at its highest level is a rare skill. It is one used by top salespeople in selling art and many other items in the discretionary income category. I understand using such a tactic may not be in your repertoire now, but if you work on it, you can utilize it on a scale that fits your style. As you do, you will enjoy considerable success with it.
For those reading this who find asking for the sale less than natural, there is help. To begin, ask general, closed-end questions that are sure to elicit yes for an answer. This opens a dialog that eases you and the buyer while starting the basic pattern of your buyer answering yes. Here are some “yes answer” openers:
Once you have some rapport, you can work up more interest and bring your prospect along by using information gathering open-ended questions. This type question does not ask for a decision but helps you gauge interest while engaging your potential buyer. You are seeking an opinion and information rather than forcing a decision. Here are some examples:
The choice close of offering two possibilities may be the easiest to implement. The variations are only limited by your imagination and situation:
A reminder here is you do not want to pester or bombard your prospects with questions. There is a learned art to engaging, falling back and re-engaging. The more relaxed you are, the better your response will be.
If you can feel your nerves in these situations, practice taking a short imperceptible breath just before you make your offer. It will help you to be centered, relaxed and focused. If you realize the worst that can happen is you don’t get the sale and that your life will be the same either way, it will significantly lower your anxiety and calm your nerves.
If you appear and sound calm, you show confidence. The little take-a-short-breath breathing exercise above can help you conquer your fear, which will give your buyer an aura of assurance about you. Both Marilyn Monroe and Hall of Fame sportscaster, Howard Cosell, used this technique to overcome stuttering. A short breath before speaking works wonders whether stammering is an issue or not.
To be able to sell art naturally and easily is a savant-type skill like drawing, singing, or playing a musical instrument. Not all have the same native talent, yet nearly all can improve by studying, practicing and trying harder.
Some things are easier to sell than others. Selling things, such as firewood to Eskimos, is easy. While the least skilled would do a creditable job with it, change to ice and watch them struggle. Although selling art is not the equivalent of ice to Eskimos, its discretionary spending category makes it challenging, especially in the current economy.
The first type often reveals their interest immediately. While you always should strive to offer a big and to present what may seem an almost ridiculous deal, (how about the whole wall/display/series) to everyone, it is easiest to miss this option with your low hanging fruit category. That is in the excitement of getting an easy sale, you can rush to complete the transaction without exploring other options. Try something like this, “You have made a fantastic choice, I know you are going to love owning this piece. I had great fun making it. Let me show you a couple of other pieces that are perfect companions for it.”
The second category is your ticket to success. Increase your sales here and watch your career soar. These are folks who like your art, but are non-committal. If you can match personality types, you can tailor an offer. There are four primary personality types:
The third category includes those who are not pre-disposed to buy your art. Being able to identify whom they are will allow you to avoid spending time, money, energy and effort to convert them. While some will just tell you they are not true prospects directly or indirectly, with others, you will have to develop some radar to help you identify them. The greater the percentage of this category you can weed out, the more resources you have to spend on the middle category.
Using FAB (Features, Advantages, Benefits, see below for examples) goes something like this, “(F)This giclee print is made on a state-of-the-art 6-color high-quality fine art digital printer by a master printer. (A)For generational longevity, it is printed using the finest archival inks/dyes and canvas/paper available. Although you see it in this size, we can customize to make it smaller or larger to suit your needs. (B)You can easily make this piece the focal point of any room you hang it in. It is the kind of work you and your family will enjoy for decades to come.”
Being a realist, I know reading these instructions are not going to change your selling skills overnight. However, I do believe if you accept the premises on which they are made that their effectiveness will seep into your selling skills. If you actively practice them, you can expect to see better results for your efforts.
Buyers will be buyers. You can no more mesmerize them into buying than you can bore them into it either. Your job is to make art people want to own, then to build a case why they should buy, and finally to always, always ask for a buying decision. The more astute you become at each task, the greater your reward for your effort.
You can learn to identify your prospects and to do your best to steer them to a favorable buying decision. You can use everything discussed here and still be ethical and honorable. Besides, whatever means tilted a sale your way, you should rest easy knowing you have a fair return policy for those sales where the buyer has remorse or other reasons for reversing a decision.
Your buyers are adults with full capabilities of processing your offers and deciding to take them or not. If you wait until someone asks you to buy, you reduce your odds of making sales and being as successful as possible. Everyday people trade success for staying in their comfort zone. Don’t make the mistake of making your career a prisoner to any negative misplaced feelings about using sophisticated sales techniques to help.
You will sell more art just by offering more and more often. As the famous Nike slogan goes, “Just Do It!”