Tips on How to Sell Art to the Affluent Market
Let me tell you about the very rich people. They are different from you and me.
– F. Scott Fitzgerald

There’s a growing wealth divide in the U.S. and elsewhere. The buying power of middle-income consumers has declined, while the top one percent alone now holds more wealth than the middle class. This isn’t a discussion about inequality—it’s about recognizing where the purchasing power lies and how artists can position themselves to sell to people who can afford higher-priced originals.
How You Feel About Money Matters
Your feelings toward money, wealth, and wealthy people can shape your success in this market. A neutral or positive mindset works in your favor; anything less can subtly undermine opportunities. Recognizing and managing these feelings isn’t about pretending—it’s about ensuring your mindset supports, rather than sabotages, your efforts.
Think Like High-End Retailers
Many artists unconsciously aim their marketing toward the middle class because it feels familiar. But if you want to sell to affluent buyers, you need to think more like top retailers who focus on customers with greater discretionary income.
Affluent households—often defined as those earning $100,000 or more annually—represent about 20% of U.S. consumers. Many in this group are HENRYs (High Earners, Not Rich Yet) with incomes between $100,000 and $250,000. They look for value, quality, and meaning—not just status.
Above the HENRYs are High-Net-Worth Individuals (HNWIs)—those with investable assets of $1 million or more. While still a small percentage of the population, they account for a significant share of art purchases, particularly higher-priced originals.
At the very top are Ultra-High-Net-Worth Individuals (UHNWIs)—those with investable assets of $30 million or more. They make up less than 1% of the population yet hold a staggering portion of global wealth. While your most likely buyers will come from the HENRY and HNWI tiers, understanding the mindset and preferences of the ultra-rich can sharpen your branding and positioning. As noted earlier, wealth in the U.S. is increasingly concentrated at the top—making these upper tiers worth your awareness even if they are not your immediate targets.
Focus on Originals
Stick with originals, especially at first, because affluent buyers are the ones most able—and inclined—to buy such higher-value artworks. Originals carry scarcity, craftsmanship, and emotional presence that align with the way this audience approaches collecting.
Visualize Your Art in Their World
If you can’t imagine your work hanging in a luxurious setting—a penthouse, a private wine cellar, or a modern architectural masterpiece—it will be harder to help potential buyers picture it there. Practice mentally placing your work in more refined spaces than your own. That mindset shift will influence your choices, confidence, and how you present your art to others.
Branding Shapes Perception
Perception of your work and presence is crucial when selling to the affluent. Your brand is the sum of those impressions, from how you present yourself in person to the way your website feels and your packaging looks.
A strong, consistent brand builds trust and recognition, making it easier for affluent buyers to feel confident in their purchase. If you haven’t read it yet, my post What It Really Means to Be On Brand (and What Happens When You Are) digs deeper into how to develop and maintain that kind of presence.
Branding and Positioning: Evergreen Assets
The higher you aim in the market, the more your branding and positioning become influential, long-term assets. That’s why it pays to work on them now. Being “on brand” isn’t just about a logo, color palette, or typography—though those are important. It’s about a clear, consistent philosophy that runs through everything you do. It means having a vision you can express with confidence, showing you’re committed to it, and enjoying the harmony that comes when your actions, message, and presentation all align. Your brand is an evolving, organic, and dynamic aspect of your life and business that enhances your reputation and boosts your marketing. Â
Rub Elbows, Authentically
You don’t need to belong to a country club to navigate affluent circles. Volunteering for or attending cultural events, joining civic or arts organizations, and contributing your time to causes that attract well-connected supporters can open natural paths for introductions. While it’s true that navigating this market can be challenging, it’s not impossible. Artists make connections with wealthy potential patrons in a myriad of ways every day, and so can you. Strive for the first level of conscious connection, where they know your name and associate it with fine art. The next might be a digital communication via email or comments, and then a phone or video chat, or a private message app curated by your gallery or dealer, finally meeting one another in person. Even then, it’s just a nugget of potential. There are many more steps to the progression of being a fan, collector, patron, or benefactor. Understanding the process reveals that you most often start at Level 1, which is easier, less intimidating, and highly possible.Â
It’s Time to Discover How to Sell Art to the Affluent Market
In my Guerrilla Marketing for Artists: How 100 Collectors Can Bulletproof Your Career book, I devote much time to building a loyal following of direct-buying collectors. Developing a collector base among the affluent greatly benefits your career. Fortunately, consumer trends, communication tools, and technology make getting the job done not only possible but also easy compared to the art marketing techniques of past generations and, to some degree, how things have evolved in digital marketing in the years since I wrote the book. But the core premise is that a small group of loyal buyers can create a solid support system that is manageable. It’s impossible to develop a unique buyer for every original artwork you make, which makes developing collectors a top priority for savvy marketers. My goal with everything I do is to help you achieve your goals on your terms by being informed and efficient. Â
Use these tips to enhance your original art sales in the affluent market:
- Ditch Your Bias: Get rid of your disdain for materialism, conspicuous consumption, or other negative traits towards the spending habits and lifestyle of those wealthier than you are. Learn to relax, be confident, and realize that the richest mogul still puts his pants on one leg at a time.
- Rise to the Challenge: You cannot effectively learn how to sell art to the affluent market if you are self-conscious about your income level or let your circumstances put a chip on your shoulder. To effectively market to those outside your current income status, you must take the necessary steps to understand your customers deeply and profoundly.
- Fine-tune Your Pricing: Design pricing for the optimum sweet spot between class and mass. Think of being elite and accessible as an example.
- Make a Great First Impression and Build on It: From your initial contact, your job is to build long-term, professional relationships. Everyone on your team must buy into this relationship-building principle.
- Make Your Website Work for You: Your website is a significant factor in first impressions and your primary tool for influencing luxury buyers outside of personal contact. Think clean, simple, and elegant.
- Find Ways to Rub Elbows with the Affluent: Research the best group to join that will put you in proximity to the affluent market. Some examples include alum associations, Chambers of Commerce, charities and fundraisers, churches, synagogues, and other religious organizations, civic organizations, antique cars, wine tasting events, economic clubs, fraternal organizations, hospitals, and other major medical organizations.
- Who else sells to rich people? Use the list of occupations that sell to the affluent market to help you spot potential referral partners or collaborators. Some examples include architects, travel agents, financial advisers, real estate agents, luxury automobile dealers, auction houses, wine merchants, high-end boutiques, caterers, specialty chefs, and event planners. The examples provided represent traditional niches, while tech and crypto markets, along with other wealth-generating sectors, serve as notable alternatives for creating wealth. Having an awareness of such things is helpful when marketing to the affluent.
- Word-of-mouth marketing (WOMMA) is the best way to gain quick access and acceptance for a group or a person through an introduction, recommendation, or referral. Networking is where you find new buyers and gain referrals to boost your art career.
How to Sell Art to the Affluent Market, Part Two
Look for the second part of How to Sell Art to the Affluent Market next week. If you are not a subscriber, click here to subscribe. This way, I’ll let you know when it’s ready for publication.
Hi Barney!!!
I loved this article. I am building my fine art photography biz up again and really enjoyed your tips here on new ways to market. I agree it is always about the relationships!! Thanks again for all you do. 🙂
Thanks for your reply, Jeni! Good to hear from you.
Well-heeled buyers and advocates often want the EXPERIENCE. They want to be able to tell their friends and family about you and your piece and how you established the relationship. That is the VALUE you are giving. Too many sellers think of value as $$.
You are spot on. It is the whole package, or experience as you say.
I don’t know what you mean about cheating. Smart marketing is not cheating. Proactively working to introduce one’s art to affluent buyers can make the difference between success and mediocrity, or worse, failure.
I really enjoyed this article. Thanks Barney. It amplifies what I was starting to notice myself. 😀
What great advice. As I venture out to gallery shows and events where I know full well there are affluent prospects and collectors, I often wonder about their point of view, their perspective on life to better understand where they are coming from and being able to relate to them on a personal level. I know it’s a large topic, but could you expand on this level of society?
You write:
“You do not have to be like them to sell to them. You just need to know where they are coming from and how they look at life.”
I have heard of perceived value with pricing towards the affluent, but at what point are you pricing yourself out of the general market where most galleries are marketing to?
What an amazing post Barney!! I agree 100% – I’ve been doing exactly what you have outlined for many years and it has really worked for me. The added bonus is that all of my collectors have become friends and I have made many many new friends & great connections with people that haven’t become collectors (yet) or may never for that matter. It’s a lot of fun to boot! Thanks for validating what I have been doing over the years.
Thank you, Fiona. It is always a joy to hear from you with your wonderful affirmations. It’s my pleasure to validate you are the bomb! 😉
This type of direct marketing has also worked well for us. One part of the equation is to move to an area where there are affluent people with 2nd homes or are likely to vacation in the area. People with high incomes are usually very busy and do a lot of their discretionary spending while on vacation! Studio galleries and studio tours in these areas tend to do better than expected.
This is a great observation and suggestion. Thanks for your comment.
I have the same general questions Brenda did, as well as specific ones. For example the perceived value question- I use real gold leaf in my paintings but sometimes wonder if its necessary in today’s world. I would think that someone with money would expect real gold, not the fake leaf. On the other hand the European artists get away with using the foils by calling it Dutch Gold!
Thanks for your comments, Carole. To Brenda’s point, I think if you price too low, you cheat yourself out of your fair share. Most galleries are targeting affluent buyers because they have success with that segment. I think artists should do likewise and as much as possible get to know and understand potential affluent buyers. Your question regarding using gold leaf versus Dutch gold is interesting. Does gold leaf look better, noticeably? Is there enough of it to make the fact it is part of the image a true selling point? Do buyers respond to it? In other words, does it create a tipping point in selling your work? If so, keep after it. If not, perhaps you should emulate your European counterparts. Should you choose to go that way, I would use the Continental implied Old World snobbery as part of my pitch. “I use the same Dutch Gold process in making this art as some of the most talented and successful artists in Europe do.”
Thank you Barney for clearing that up for me also as I use the “Dutch Method” too! Now I can address that issue if it comes up in a conversation.
Thank you for sharing your insight and vast knowledge about sales. Great article!
I love reading your blog Barney.
I have a question for you. Can you tell me how to get my metallic colored art designs printed on canvas giclees? If so, Do you know of a top knotch printing company that provides fine art prints that can print with metallic paints?
Glad you like the blog! I am not aware of metallic inks for inkjet printers. There are metallic substrates available. You may need to be creative in how you interpret your original into a digital prints. Call my friends at DigitalArtsStudio.net in Atlanta. 404.352.9779, or FineArtImpressions.com in Palm Springs, CA 800.419.4442. These are great places to start your research. Good luck with your quest!
Thanks for your kind words. Best to you as well!
I enjoyed your website as I am currently helping a uniquely talented artist Stephen Harris get “discovered”. He lives in a tent on a secluded peaceful island where he creates his wonderful works of art, away from the hustle and bustle of the modern world. Check it out…
Great article lots of interesting information. I was wondering do you think this applies to murals as well.
The most likely demographic to buy a mural has to be the affluent class, so I am sure the advice applies to them as well.
Hi Barney, I read your blog about once a week and go through two or three when I do. Its chock full of great stuff and yes I have the Guerrilla Marketing for Artists book. Just one thing. Please fix your graphic selling the book so there is a space between to and Find. I paint and do graphic design and my rule is always let someone else look at your design project for typos, dates and gaffes. The creator of a project whether art or design has to get away to come back and see the weird stuff.
Thank you for your great insight. D
Hi Barney,
Thank you for being so honest and helpful. I have learnt a lot from your article as I am so NOT savvy in the sales and marketing domain. Some of us artists just find it very difficult to even go there. It feels to me sometimes that I am betraying myself. However I have come to the conclusion that I must give it a try or rather try harder.
Kind regards and stay safe in this perilous time.
Teresa Fitzgerald
teresa_fitzgerald on instagram
Hi Teresa, you are welcome, and thank you for your kind words about my help to artists. I know marketing is hard, which is why I try to help. Consider joining the Art Marketing Toolkit. It is full of useful advice, videos, and downloads. Plus an active Facebook group for artists to share, and to get and give help. It’s only $4.99 per month with no contract. I made it affordable because I am more interested in helping artists than trying to make a lot of money from the.
Thank you for this great article. I so agree with marketing to those who can purchase your art. Suggestions on how to go about introducing yourself and your art to new affluent clients in the climate of Covid?
Good evening Barney
I have just sign up tonight because I find your articles extremely interesting.
I am mostly a pastelliste but never sold a single painting…just offer some to family
and a couple of close friends.
Hopefully with your advise I will start selling soon.
Thanks and have a great weekend
Carlos
Hi Carlos,
Thank you for your message and for joining the Art Marketing Toolkit Project. A welcome email is on the way. Also coming in a few minutes is an invitation to the live Zoom session tomorrow. Please join the Facebook group using the link in the welcome email. Welcome aboard!
Very informative. I am a 4 time award winning fashion designer, always wanted to have an art exhibition, finally got to it January 2019. I have painted since then 3 collections. I ran into your website last year. I thank you for the incite full info.